Current Issue #488

Review: We Live By The Sea

Review: We Live By The Sea

We Live By The Sea is a beautiful, tender piece of theatre that explores the inner and outer worlds of Katy, a 15-year old girl with autism.

Inventive lighting techniques and a beautiful, lilting live score help to do this but what stays in the mind long after walking out is Alex Brain’s incredibly powerful lead performance.

It’s a remarkable achievement, and she is utterly captivating in conveying young Katy’s unbridled joy, grief and confusion. Her sister has been thrust into the role of carer after the death of their father, and both girls find their life changing when a young man moves in nearby.

He’s dealing with his own problems but his empathy for Katy changes all three of their lives, giving them strength to face their fears. Rounding out the cast is Katy’s imaginary dog, who provides some much-needed levity in what is an emotionally wrenching piece of theatre.

We Live By The Sea implores us to respect the basic humanity in everyone. Though the dialog becomes a little didactic as the play reaches a climax, it’s impossible to begrudge this message, especially after Brain’s performance creates so much empathy for Katy. It is, quite simply, one of the most powerful and moving performances you’re likely to see at this or any other Fringe.

We Live By The Sea was performed at Royal Croquet Club’s Empire Theatre on Saturday, February 17 and continues until March 18.

Header photo: Kate Pardey

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