27 February 2020
8 March 2020
Early 20th century play Professor Bernhardi is given a radical update in Robert Icke’s The Doctor, which places award-winning British stage veteran Juliet Stevenson (Bend It Like Beckham) at the heart of an ethical minefield as a doctor whose disagreement with a priest over how to treat a dying teenager sets off a chain reaction that draws national attention.
Touching upon contemporary themes of identity politics and social media outrage cycles, The Doctor drags the religious moral quandaries of Arthur Schnitzler’s 1912 original into a modern setting.
Adelaide Festival brings fire, spirituality and ethical minefields in 60th anniversary program