There’s a palpable tension to watching Enter Achilles’ preening, lager fuelled version of masculinity
that’s constantly on the edge of descending into violence. Its depiction of a pack
of gleefully aggressive Englishmen on a night out is scary precisely because this
group so recognisable. Sitting in the audience means being subject to the same
tension that comes from noticing a group like this in the pub, or on the
street.
And yet Lloyd Newson’s choreography ensures that this ugly
version of masculinity sits alongside sublime displays of beauty. The men
grapple playfully and turn into multi-headed beasts, their undeniable strength
matched by mesmerising grace as they lift and hurdle each other. The set, a
multi-tiered playground with windows and boltholes through which the cast
members hurl themselves, only enhances these displays.
And yet no matter how beautiful these movements, there’s a
simmering tension that’s impossible to ignore. The impressive displays of
athleticism that result from this peacocking are inevitably centred on the pint
glasses that fuel the endless chorus of oneupmanship. The desire for each man
to outdo their comrades is on full display, as is the imperative to suppress
any signs of difference, to act the buffoon rather than show hurt that could be
perceived as weakness.
When violence does erupt, the ways in which it is channelled
to another target are just as manifest, with particularly terrifying results
when a blow up sex doll is brought onstage. Tom Davis Dunn in particular gives
a magnificent performance, his stunning physique matched by a barely suppressed
rage that makes his presence genuinely scary, even when he’s ostensibly in good
humour.
The focus in Enter Achilles is on characters rather than a linear narrative, but there’s more than enough to identify and recognise these men. That it still feels so timely (with a few updates to include the #MeToo movement and the current wave of British nationalism) is perhaps the most scary thing of all.
Enter Achilles was
performed at Dunstan Playhouse on Sunday 15 March
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